Książka THE BLAUE REITER Riders on the Storm

Taschen

139,00 zł brutto

TASCH-5580

Join the heady ride of Der Blaue Reiter, the group of artists who galloped just three years of the early 20th century together, but in their rejection of establishment standards and charge into a new artistic realm marked a major step in the evolution of European Expressionist and abstract art.

Wysokość.H 21 x 26 cm
Głęb.Szer.W 96 pages
Motyw Ludzie
Materiał Papier
Kolor Niebieski

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Join the heady ride of Der Blaue Reiter, the group of artists who galloped just three years of the early 20th century together, but in their rejection of establishment standards and charge into a new artistic realm marked a major step in the evolution of European Expressionist and abstract art.

Riders on the Storm

The charge of 20th-century expressionism
Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911–1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian émigré Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown.

Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc’s Blue Horse I (1911), Kandinsky’s Picture with a Black Arch (1912), and August Macke’s Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectivescrude lines, and an emphatic, expressionist use of color.

The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group’s protagonists. This book reveals the movement’s remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.
The author 

Hajo Düchting studied art history, philosophy, and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay’s Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrücken, and Mainz. Düchting has published numerous articles on the art of the modern era, color theory, and the teaching of art, and has authored a number of TASCHEN titles, including Paul CézanneWassily Kandinsky, Robert and Sonia Delaunay, and Georges Seurat

The Blaue Reiter
Hardcover, 21 x 26 cm, 0.56 kg, 96 pages
ISBN 978-3-8365-3704-9
Edition: English
ISBN 978-3-8365-3701-8
Edition: German
ISBN 978-3-8365-3703-2
Edition: French
ISBN 978-3-8365-3742-1
Edition: Italian

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